This is a 27" x 39" Egyptian poster designed by Wahib Fahmy for the
1975 Said Marzouk film The Culprits based on a story by Naguib
Mahfouz, screenplay by Mahdouh El Leithy and Naguib Mahfouz and
starring Hussein Fahmy as Ahmad Saber. The film is included in Ahmad
Al-Hadari's list of Egypt's 100 most important films. Plot Summary:
The actress Sanaa Kamal [Soheir Ramzy] was murdered in her bed. The
investigator summoned all those who were in her home on the night of
her death including her fiancee Ahmad Saber, the director of the
company that published the papers the actress used to help build the
building, his friend who betrayed his wife and the strong young man
who sold his body to the actress while at the same time making plans
to steal the treasury at an institution. Then everyone who was at the
party at her home that night was arrested after the investigator
discovered the crime took place during the party. Her fiance the film
director admitted he had killed her out of jealousy.
Cast and crew: Hussein Fahmy, Soheir Ramzy, Zubaida Tharwat, Said
Marzouk, Salah Zulfikar, Adel Adham, Youssef Chaban, Imad Hamdi,
Tewfik El Dekn, Naguib Mahfouz, Samir Sabri, Abdel Moneim Ibrahim,
Kamal Al-Shennawi, Mustafa Imam, Abdel Waress Assar, Hayat Kandeel,
Sameer Ghanem, Wahid Seif, Osama Abbas, Leila Fahmi, Naima Al
Soghayar, Said Abdel Ghani
This isa 27" x39" Egyptian poster designed byGasour and Abdel Aziz
for the 1976 Nader Galal film No Time for Tears based on a
story by Rizq Helmy, screenplay by Rizq Helmy and Abdel Hay Adib and
starring Naglaa Fathy as Azza. Plot summary: Azza is a dancer who
falls in love with an Egyptian army officer named Amr [Hussein Fahmy]
and promises to marry him. When she hears he has been killed, she
immerses herself dancing in Cairo's nightclubs to pay expenses and
cope with her grief; she is shocked and confused when Amr unexpectedly
turns up alive and well. She does not know where to begin.
Cast and crew: Naglaa Fathy, Rizq Helmy, Abdel Hay Adib, Hussein
Fahmy, Nader Galal, Mahmoud Nasr, Nour El-Sherif, Mahmoud El-Meliguy,
Amina Rizk, Hussein El-Sherbini, Ehsan Sherif, Ahmed Abaza, Mohamed
Shawky, Safia El Emari
Pictured is an Egyptian promotional poster designed by Gasour and
Anise for the 1972 110-minute Ashraf Fahmy color film Forbidden
Desires [raghabat mamnu'a] starring Shadia based on a story by
Hanifa Fathy with screenplay and dialogue by Sabry Moussa and
cinematography by Mohsen Nasr. Plot summary: Tafida [Karima Mokhtar]
was a young woman of breathtaking beauty but her brother Ahmed Atia
al-Gablawy [Hussein Fahmy] put strict controls on her; She was forced
to flee those restraints so she could marry the man she loved, whom
her brother had forbidden her to marry. When she arrived at the
shipping yard in Alexandria where she had agreed to meet her beloved
she was surprised to find someone attacking him, and the attacker
killed him as soon as he saw her. She tried in vain to save him but
he died from the stab wounds all over his body. Tafida went back to
her brother's home, her clothes stained with the blood of her beloved;
her brother's daughter Samia [Shadia] was upset at the sight of the
blood and screamed. The days passed and it seemed as if Tafida had
become deranged after seeing her beloved killed before her eyes. Her
brother Atia got her a room far away from his home close to the docks
and he did not allow her to see anyone or anyone to see her. Atia
al-Gablawy was a hard-hearted man whose human emotions were all dead,
but despite that he was quite possessive. For example he refused to
allow his daugher Samia to attend school because he didn't want anyone
to see her. She lived in ignorance and felt very bad because of that.
He sent his son to school to learn the sciences that would qualify him
to help at the factory he had established, but Ahmad continued his
studies and enrolled at the faculty of fine arts to study art,
unbeknownst to his father. Ahmed fell in love with a classmate named
Azza [Mervat Amin] and they decided to marry. Naturally with their
marital plans Azza learned everything about Ahmed and he learned
everything about her. Azza decided to do a graduation project at the
college about the docks area in Alexandria and Ahmad encouraged
her. He even invited her to live with his family so she could complete
her studies. Azza went to the docks area near Alexandria while Ahmad
happened to be with his father at the factory. She was surprised to
see Samia; he had not known she was her brother's classmate and was
even educated, after being sentenced to ignorance by her father. She
made a show of welcoming her and while she was preparing a room for
her Azza walked around the house. She wandered into the room where
Tafida was staying and screamed in fright at the sight of her. Tafida
screamed more loudly and the panic spread. Atia and his son Ahmad
happened to arrive at the same time, and Ahmad welcomed Azza. He
introduced her to his father who also welcomed her; this calmed her
after the shock of seeing Tafida. Despite Atia Al-Jablawy's show of
welcoming his son's classmate, he watched her closely so she would not
discover the truth about him or what drove Tafida crazy, and
especially the fact that the one who had killed Tafida's beloved was
the husband [Ezzat Abdel Gawad] of the maid Shawq [Aida Abd el Aziz].
Because he feared that discovery, he also concealed his feelings from
his children and behaved in an exemplary way in front of them. It was
of the utmost importance to Azza that the father know the nature of
her relationship with Ahmed's daughter, who deeply loved him. She
insisted on revealing to Ahmad's father their agreement to travel to
Europe to complete their studies, but Ahmed was reluctant to do this
because he knew about his father's ethics and tyranny. However
because of Azza's insistence he had to tell the truth to his father,
who erupted in anger and decided to break up their relationship no
matter what the cost. In the meantime the criminal who had killed
Tafida's beloved had finished his sentence and was about to get out of
prison; his wife was afraid because she had been in a sinful
relationship with Atia al-Gablawy [Mahmoud El-Meliguy] throughout the period of her
husband's absence. She decided to ask for a divorce. The father did
not care about that because he was preoccupied with his son's
relationship with his friend Azza. When Azza saw the father's control
over his son she decided to return to Cairo immediately; one day Ahmed
came across the place where his father had been meeting the maid
Shawq, and just then his sister Samia came upon the same scene!
Cast and crew: Ashraf Fahmy, Hassan Mazhar Gasour, Morteda Anise,
Hanifa Fathy, Shadia, Mervat Amin, Hussein Fahmy, Youssef Sha'ban,
Tewfik El Dekn, Mohsen Nasr, Sabry Moussa, Mahmoud El-Meliguy, Aida
Abdel Aziz, Karima Mokhtar, Mokhtar Al Sayed, Abdel Azim Sa'ad, Ezzat
Abdel Gawad, Anwar Al-Askari, Aly El Cherif, Mohamed Khalil
This is a 27" x 39" Egyptian poster designed by Walid Wahig for the
1970 Hassan Al Imam film Dalal, the Egyptian based on a Naguib
Mahfouz adaptation of Leo Tolstoy's 1899 novel al-ba'th
(Resurrection) [voskrecenye/Воскресение]. This was Tolstoy's last
novel. It was produced in several other film adapations, most notably
the 1934 production by Samuel Goldwyn of Rouben Mamoulian's We Live
Again starring Fredric March and Anna Stein. Plot Summary: The
orphan girl Atiyat [Magda El-Khatib] grew up in an old mansion with
the sons of the current owner (Fouad Bey's aunt) until the owner threw
her out after discovering she had lost her virginity, not knowing that
Fouad Bey himself [Hussein Fahmy] had been responsible. Atiyat tried
to do the honorable thing. She took a job at a dye factory where she
met Mohammad, [Salah Kabil] who loved her and wanted to marry her.
Things did not go well for her there however; she quit working at the
factory and went to work as a dancer for Fatma Al-Falali [Hoda
Soltan]. Years later while she was working there she was accused of
murder. Fouad Ahmad was a judge on the court that sentenced her to 15
years in prison, but something moved inside Fouad Bey causing him to
suffer pangs of remorse. He resigned so he could mount a defense for
Atiyat; after much effort collecting judicial papers he was able to
get her exonerated. He thought he could now make amends for the past
and marry her, but she turned him down and married Mohammad back at
the dye factory.
Cast and crew: Magda El-Khatib, Salah Kabil, Hussein Fahmy, Madiha
Kamel, Hassan Al Imam, Soheir El-Barouni, Souraya Helmy, Leila Fawzi,
Hoda Soltan, Abdelhalim Nasr, Naguib Mahfouz, Leo Tolstoy
This an Egyptian 27" x 39" one-sheet poster designed by Amal and
Gasour for the 1981 Mohamed Khan film Dinner Date based on a
story by Mohammed Khan with screenplay and dialogue by Bachir El Dik
and Starring Soad Hosny as Nawal. The film is set in Alexandria
Egypt; Ahmed Zaki plays the part of hairdresser Shokri, who falls in
love with Nawal. Plot summary: Nawal is oppressed by her husband
Ezzat Abul-Rous [Hussein Fahmy]. She catches him with another woman
and demands a divorce on the spot, but he refuses. Nawal despairs and
eventually divorces Ezzat anyway, then Marries Shokri. Ezzat has
Shokri killed to get revenge. Nawal learns of Shokri's death when she
is called to a morgue to identify his corpse. In the final "dinner
date" scene Nawal pretends to be resigned to resuming life with Ezzat,
but she serves poisoned food. Both of them eat it and presumably die,
but the film only shows a sad conversation in which the two seem to
know this is their last meal. Dinner Date was remade in the UK
in 1985 as Claudia (aka Claudia's Story) by Anwar
Kawadri, starring Deborah Raffin.
Cast and crew: Zuzu Madi, Ragaa Al-Gidawy, Mohsen Nasr, Soad Hosny,
Hussein Fahmy, Ahmed Zaki, Mohamed Khan, Bachir El Dik, Mohsen Nasr,
Eglal Zaki, Hamdy Gheith, Zuzu Madi, Claudia, Anwar Kawadri
This is a 27" x 39" Egyptian poster designed by Mohammed Abdel Aziz
and Wahib Fahmy for the 1979 Yehia El Alami film An Angel's Sin
based on a story by Abdel Hamid Gouda, screenplay and dialogue by
Yehia El Alami and starring Nelly as Yasmin. Plot summary: The angel
Tumar [Hussein Fahmy] came to earth to live with its inhabitants for a
little while to satisfy his curiosity. He met the magician Soleyman
[Adel Adham]; since they both had supernatural powers they decided to
do an act together. Their first criminal collaboration was an
attempted hotel robbery. Yasmin killed Soleyman during an
altercation; Tumar was arrested by police who responded to the sound
of gunfire. Tumar was hung for murder and went back to resume life
with the angels.
Cast and crew: Adel Adham, Mohammed Abdel Aziz, Wahib Fahmy,
Hussein Fahmy, Nelly, Salah Zulfikar, Salah Nazmi, Yehia El Alami,
Hesham Wadid Serri, Abdel Hamid Gouda, Mona Gabar, Zahrat El-Ola,
Abdel Rahim El Zarkani, Hallali Mohammad, Mohamed Kamel, Badr Nufal,
Sayed al-Arabi, Adib al-Trabolsi, Nabawia Said, Mokhtar al-Sayed
This is a 27" x 39" Egyptian one-sheet poster designed by Abou
al-Seoud and Wahib Fahmy for the 1977 Mohamed Abdel Aziz film A
Thousand and One Kisses based on a story by Mohammad Mostafa Sami,
screenplay and dialogue by Aly Al-Zarkani and starring Hussein Fahmy
as Essam. Plot summary: Gamalat [Nagwa Fouad] and her sister Maysa
[Youssra] were nightclub dancers. Maysa met Essam, an actor who liked
her. The theatrical troupe included Essam, his friend Fotouh [Sameer
Ghanem] and a few friends over the objections of Gamalat and Essam's
father Ahmed Hafez [Ahmed Mazhar].
Cast and crew: Hussein Fahmy, Youssra, Abdel Moneim Madbouly, Ahmed
Mazhar, Tewfik El Dekn, Mohamed Salman, Zakaria Mouafi, Mohamed
Al-Shawihi, Helmy Abou Heif, Nabil Badr, Samir Walieddine, Lebleba,
Nagwa Fouad, Sameer Ghanem, Younes Shalaby, Ahmed Mazhar, Wahid Seif,
Mohamed Abdel Aziz, Mohamed Abdel Wahab, Munir Mourad, Essam Farid,
Mohammad Mostafa Sami, Aly Al-Zarkani, Hanem Mohammad, Samiha
Mohammad, Qadria Kamel, Soheir Reda, Samir Aziz, Mona Ayyoub, Abdel
Ghani Nasser, Fatma Al-Tabei, Farouk Mostafa, Samir Kamal, Rafet
Abdulla
This is a 27.25" x 39.5" Lebanese poster designed by Hassan Mazhar
Gasour for the 1977 Ashraf Fahmy musical Look, See What Sugar Is
Doing! starring Hussein Fahmy based on story and screenplay by
Abdel Hay Adib. Plot summary: The little orphan girl Sugar [Sukkar]
lived with a gang led by Atris and Zakia, who taught children to beg
and pick pockets. Atris and Zakia learned that Sugar was the daughter
of a wealthy man and that her uncle Zaki had told Atris to kidnap and
kill the girl so his brother could get the inheritance. However he
refused and turned her over to Zakia, who taught her to dance and sing
at public celebrations. At the same time one of the investigating
officers wanted to return her to her uncle.
Cast and crew: Ashraf Fahmy, Ramses Marzouk, Abdel Hay Adib, Behgat
Kamar, Hussein Fahmy, Sukkar, Fatma Mazhar, Sameer Ghanem, Lebleba,
Tewfik El Dekn, Salah Nazmi, Wahid Seif, Ibrahim Saafan, Bahiget
Mohammad Ali, Zakaria Mouafi, Ezzat Abdel Gawad, Malek Al-Gamal, Aly
El Cherif
This is a 27.5" x 39" Lebanese poster designed by Gasour and Abdel
Rahman for the 1980 Ahmed Yehia film The Night the Moon Cried
AKA [leilet baka fiha al-qamar] based on story, screenplay and
dialogue by Farouk Sabry and starring Sabah as Hanan. Plot summary:
The luxury automobile belonging to a famous elderly singer named Hanan
broke down on a desert highway. A penurious man named Ahmed Fahmy
[Hussein Fahmy] stopped to help in his battered old Volkswagen,
recognized her and then gradually found other ways to work his way
into her affluent life. She fell in love with him, began following
him around and even helped him realize his dream of producing
theatrical exhibitions.
Cast and crew: Ahmed Yehia, Samir Farag, Sabah, Hussein Fahmy,
Minerva, Farouk Sabry, Nabil al-Dessouki, Nazim Shaawy, Nabila El
Sayed, Wahid Seif, Alia Ali, Minerva, Mohamed Abu Hashish, Ahmed El
Tohamy
This is a 27" x 39" Egyptian one-sheet poster designed by Mohammad
Abdel Aziz for the 1978 film Love Over a Volcano written and
directed by Hassan Al Imam and starring Naglaa Fathy as Ne'ma. Plot
summary: Hussein [Hussein Al Imam] stole all the money belonging to
his half brother Ahmed [Hussein Fahmy] so he could spend it on a dance
hall girl; then Ahmed married his blind neighbor Ne'ma.
Cast and crew: Farid Shawqi, Naglaa Fathy, Hussein Fahmy, Fardous
Abdel Hamid, Lebleba, Sa'eed Saleh, Zouzou Hamdy El-Hakim, Hassan Al
Imam, Mohamed Shawky, Shafik Galal, Ibrahim Saleh, Hussein Al Imam,
Mohamed El Dafrawy, Abdel Ghani al-Nagdi, Badreia Abdel Gawad, Mokhtar
El Sayed, Mohammad Shawqi, Amir Kedwani, Abdel Wahab Khalil, El Sayed
Bedir
This an Egyptian 27" x 39" one-sheet poster designed by Amal and
Gasour for the 1981 Mohamed Khan film Dinner Date based on a
story by Mohammed Khan with screenplay and dialogue by Bachir El Dik
and Starring Soad Hosny (1943 - 2001) as Nawal. The film is set in
Alexandria Egypt; the late Ahmed Zaki (1949-2005) plays the part of
hairdresser Shokri, who falls in love with Nawal. Nawal is oppressed
by her husband Ezzat Abul-Rous [Hussein Fahmy]. She catches him with
another woman and demands a divorce on the spot, but he refuses.
Nawal despairs and eventually divorces Ezzat anyway, then Marries
Shokri. Ezzat has Shokri killed to get revenge. Nawal first learns
of Shokri's death when she is called to a morgue to identify his
corpse. In the final "dinner date" scene Nawal pretends to be
resigned to resuming life with Ezzat, but she serves poisoned food.
Both of them eat it and presumably die, but the film only shows a sad
conversation in which the two seem to know this is their last
meal. Dinner Date was remade in the UK in 1985
as Claudia (aka Claudia's Story) by Anwar Kawadri,
starring Deborah Raffin.
Cast and crew: Zuzu Madi, Ragaa Al-Gidawy, Mohsen Nasr, Soad Hosny, Hussein Fahmy, Ahmed Zaki, Mohamed Khan, Bachir El Dik, Mohsen Nasr, Eglal Zaki, Hamdy Gheith, Zuzu Madi, Claudia, Anwar Kawadri
Pictured here is a 27" x 39" Egyptian poster designed by Mohammad
Abdel Aziz and Hassan Mazhar Gasour to promote the 109-minute 1973
Hussein Kamal color Film My Blood and My Tears and My Smile
[dami wa damu'i wa ebtesameti] starring Naglaa Fathy based on a story
by Ihsan Abd al-Qudus with screenplay and dialogue by Mohammad Mostafa
Sami and Kawsar Heikal and cinematography by Wahid Farid. Plot
summary: Nahed was an attractive young woman living an unstable life
of financial difficulties with her mother, her father and her brother
Mohammad, and she had an innocent romantic relationship with a fellow
student named Essam. When a wealthy man named Salim asked her father
for her hand in marriage, after much pressure from family and after
finding that Essam was not willing to commit himself to a marriage,
she agreed to go along, because Salim was willing to pay a bride price
to her family large enough to save them from financial hardship. This
meant she had to leave Egypt and her boyfriend to go to Lebanon to be
with Salim in his opulent manion. Salim turned to be a corrupt and
abusive liar, so she divorced him and managed with great difficulty to
get herself back to Egypt, to the great distress of her family. She
then married an attorney named Mamdouh, who wanted her as a trophy
wife so he could get into a higher social position. She soon divorced
Mamdouh and then became the mistress of a millionaire named Abbas,
with whom she became an international traveler. After a few years she
ran into Essam again, who was the only real love of her life and with
whom she had experienced the only moments of purity she had ever
known. By the time she saw Essam again she had changed so much she
knew she was was no longer the person he had once known and asked him
to stay away. The memories of the happy relationship she had
once known with Essam were enough for her.
Cast and crew: Hussein Kamal, Ihsan Abd al-Qudus, Salah Nazmi, Ahmed Al-Gezeiry, Wahid Farid, Naglaa Fathy, Nour El-Sherif, Hussein Fahmy, Kamal Al-Shennawi, Kawsar Heikal, Mohammad Mostafa Sami, Fathia Chahine, Mohamed Yahya, Kawsar Safiq, Nabila Nabolsy, Soheil Ne'mani, Idris bin Kiran
This is a 27" x 39" Egyptian poster designed by Mohammad Abdel Aziz
and Hassan Mazhar Gasour to promote the 1976 Ashraf Fahmy
film Shawq starring Nadia El Guindy as Shawq based on story,
screenplay and dialogue by Abdel Hay Adib taken from the 1946 King
Vidor film Duel in the Sun, with cinematography by Mahmoud
Nasr. The film was produced by Nadia El Guindy Films. Plot summary:
A teacher named Adam [Mahmoud El-Meliguy] lived in the al-Malahat
district of Alexandria with his spoiled son Mokhtar [Mohammed El
Arabi] and his third wife, a gypsy named Shawq. He had a second son
named Ahmad, [Hussein Fahmy] who returned after completing his studies
abroad. Shawq tried to ensnare Ahmad but he resisted her; the father
also treated Ahmad differently than he treated his brother because he
loved Mokhtar best. Mokhtar blinded his father unintentionally in a
welding accident. Mokhtar suspected there was a relationship between
his brother and his wife, which caused a struggle between the two
brothers; Shawq declared she did not love Ahmad; she declared her love
for Hanafi the drummer [Saeed Saleh] and left town with him. Then
friendship was restored between the two brothers.
Cast and crew: Hussein Fahmy, Nadia El Guindy, Ashraf Fahmy, Sa'eed Saleh, Tewfik El Dekn, Imad Hamdi, Mahmoud El-Meliguy, Mohammed El Arabi, Mahmoud Nasr, Fouad Al-Zaheri, Mahmoud Nasr, Abdel Hay Adib
Shown here is a 27" x 39" Egyptian poster for the 1970 123-minute
Muhammad Salem color film Fire of Longing [nar al-shawq]
starrring Sabah based on a story by director Muhammad Salem with
screenplay and dialogue by Adel Salam Musa and cinematography by Essam
Farid. The film was produced by the General Egyptian Cinema Institute
and distributed by the General Cinema Council. Plot summary: The
famous singer Sabah permitted her daughter Howeida to work in a
nightclub in Cairo so she could have a connection with the world of
fame. In Cairo Howeida fell in love with Sherif, a decorative engineer
who charmed her. Sherif told his father Hassan he was interested in
marrying Howeida. The father deplored his son's behavior. He had
already taken a stand previously against his brother Ali's marriage to
Howeida's mother and his memories of his love for her were still
alive. Sherif told his uncle about the tragedy; the father regretted
this and encouraged his son to continue with his love. Then Hassan
finally relented and gave his son the green light for a relationship
with Howeida, and Sabah went back to her lover Ali.
Cast and crew: Muhammad Salem, Sabah, Rushdy Abaza, Wadi El Safi, Hussein Fahmy, Essam Farid, Abdel Salam Musa, Howeida, Hussein Fahmy, Hamdi Ghayth, Wadi El Safi, Abdel Moneim Ibrahim, Hassan Mostafa, Sameer Ghanem, Alia Abdel Moneim, Fifi Youssef, Mahmud Abol-Fahm, Ali Diab, Soheir Zaky, Nahed Sabri, Soheir Magdi
Art by Ahmed Fouad, printed in Cairo by Arabic Cinema Printers. This film is on film critic Ahmad Al-Hadari's 2007 list of the 100 most important Egyptian films. It tells the story of Zuzu
(Soad Hosny), a member of a family of entertainers and
dancers who is attending a university. Zuzu encounters
difficult conflicts when she is forced to confront Egyptian
society's stubborn prejudice against those who make a
living in the entertainment business.
Cast and crew: Soad Hosny, Hassan Al Imam, Taheya Cariocca, Hussein Fahmy, Shafik Galal, Salah Jahine, Sameer Ghanem, Nabila El Sayed, Abdelhalim Nasr, Abbas Fares, Zuzu Shakeeb, Ali Gohar, Mustafa Metwalli, Wahid Seif, Mohammad Metwalli, Mohsen Nasr, Nadia Zaghloul, Salah Jahine
Plot summary: The poor girl Badia married a rich boy who liked her,
then his mother set out to deprive him of his inheritance. The boy
was forced to look for money and he took up embezzling. As soon as he
started he found Badia herself in the way. One night two boys
tried to rape Badia in the street, but she fought back and prevented
it. They grabbed her daughter and she could not catch them. Badia
worked in a cabaret. When she was returning one night she came across
a baby girl. She wanted to adopt the girl but the officer Ahmed told
her this was not possible because of her social status. A relationship
began between her and the officer but this was no substitute for her
daughter. Badia got into a state of hysteria and killed herself;
nobody could save her.
Cast and crew: Samira Ahmed, Hussein Fahmy, Ezzat El Alaili, Hassan Al Imam, Lebleba, Mostafa Imam, Soheir El-Barouni
This is an Egyptian 27" x 39" one-sheet poster designed by Wahib Fahmy
and Mohammad Abdel Aziz for the 1974 Houssam El-Din Mustafa
film The Bullet Is Still in My Pocket based on story,
screenplay and dialogue by Ihsan Abd al-Qudus and starring Mahmoud
Yassine as Mohammad. In his 1998 Al-Ahram article "Victory at the Box
Office" Hani Mustafa lists it as one of several dealing with the 1973
war that depict Egyptian society in crisis. This one follows the
soldier Mohammad (Mahmoud Yassine) as he returns to his village in
defeat after the 1967 war, where he is met with contempt and derision.
His cousin Fatima, (Nagwa Ibrahim) the girl he loves, has been raped
by high official Abbas (Youssef Chaban); Mohammad decides to avenge
her by killing Abbas, but fortunately he finds an outlet for his
frustration when the 1973 war breaks out. The film has glorified
reenactments of various facets of the Egyptian Suez crossing but it
completely omits the Israeli counterattack on the other side of the
canal. This time when Mohammad returns to his village he is welcomed
as a hero by his fellow citizens and Abbas is exposed as a rapist.
Mohammad marries Fatima with the bullet still in his pocket.
Cast and crew: Ihsan Abd al-Qudus, Mahmoud Yassine, Nagwa Ibrahim, Hussein Fahmy, Sa'eed Saleh, Youssef Chaban, Houssam El-Din Mustafa
